culturemyth & nothingness
Tuesday, October 28th, 2008the greeks had an elaborate system of myth to contextualise and determine their culture. one might wonder how the greeks ever believed in the fanciful stories of their own myths but this is like asking how the greeks ever believed in their own culture. the culturemyth is – but also is not – a matter of mere belief.
now the greeks are themselves a kind of myth used to contextualise and determine european society. the undecidability of the relation of the culturemyth to belief is concealed in the distinction between myth and history. this is the distinction that allows one to doubt the reality of the greek myth while making it possible to take for granted that european society is culturally derived from greek society. this is now no longer possible.
consider also how culture is reified in the present – how the myth of polis that denies its own status as myth creates the reality of politics. to rework the myth in a way that undoes the old myth through a new myth: the birth of the city state in ancient greece is also the birth of urbanism – the daily encounter of the stranger or, rephrased more pointedly, the domestication of otherness – is the end of the very polis that greece is credited with having initiated. it is the impossibility of the inoperative community. this is the premythology of politics.
there is something strange about education, about actually studying history rather than just assuming it. the more you learn about the culturemyth the more insubstantial it seems. when you read hegel, marx, derrida and these figures become determined and lose their cultural mystery – their cultural mythstory – then you approach the boundaries of thought within the culturemyth. you meet the delimitation of the culturemyth. encountering this limit is encountering the radically unknowable, the radical absence of all knowing and consciousness, it is the ecounter with the prospect of death. without being able to really think the outside – because the real outside is the outside of all possible thought (at least all of our possible thought as individuals) – you realise the reality of the outside. this is just a reiteration, or remarking, of death as the only certainty.
when you seize the culturemyth as such – when you attempt this reduction – you encounter the reality which is nothingness. i have made this elaborate approach to a single [feeling or intuition or experience or negotiation of the text] that through this approach i have tried to give some specificity or communicability: there is nothing beyond the culturemyth.
i’m honestly interested in whether i am alone in this. can you feel the outside too? can you feel the hollowness of all the theories you have absorbed? can you look out at the world and see the great nothingness of it all? can you marvel at the people going places where they think they need to be? can you see all the buildings built for nothing? can you think all the thoughts thought for nothing? the absence of society, the polis, the police? the reality of the crisis.
breathe – its ok. in the nothingness of all theories of reality is the reality of nothingness and the coincidence of the two. the nothingness is really there. imagine the invisible tree behind the phenomenon of the tree behind the theory of the tree reflecting photons. imagine being the stranger walking beside you in the street experiencing you walking beside them in the street as they experience walking in the street in a way that isn’t quite the same as your experience of walking in the street beside them – an experience that is both just a few feet parallel to your own and radically, unknowably, different – and how here in the possibility and limitations of imagination you experience the reality of the difference, the reality of nothingness, and that’s it!
there is nothing [else!]
…then, of course, you pick up another book and it turns out that the thinker you thought you already understood is always richer in detail than you previously believed and the details change the understanding you thought you had. that the encounter with the outside was really just the encounter with your own ignorance. it’s like the mental image you have of a place before you get there and the reality of how the place actually looks when you do. there is always more concrete and more bricks that you expected in your minds eye. the facticity of it overwhelms my presumption. as i move from a historical sense to actual history it is revealed to me that the limits of my stupidity are the limits of my world.